At the center of the frame is a Nigerian king wearing a traditional Nigerian crown. He dons large sunglasses whose lenses reflect the image of a Qajar king and Qajar women from Iran. On the right side of the composition, three statues of Lagos leaders wearing white hats are depicted as part of a commemorative monument in a traditional congratulatory pose. The background is rendered in a bold red, with a bright circular element behind the king that accentuates his regal power and grandeur. His attire and jewelry symbolize his African identity and culture, while the Qajar reflection in his sunglasses creates a symbolic link between two distinct historical legacies. The harmonious blend of black, gold, and red hues, combined with elements of both past and present, endows the artwork with a noble and conceptual aesthetic. This image, merging digital art with conceptual photography, establishes a dynamic dialogue between Nigerian culture and the Qajar era of Iran.” The three white cap chiefs statue in Lagos, Nigeria is a famous monument that depicts three Idejo chiefs in a traditional greeting pose. The statue is also known as Welcome to Lagos or Aro Meta The Qajar dynasty ruled Iran from 1789 to 1925. The Qajars were a Turkoman tribe from northeastern Iran. The Qajar period was marked by significant social and political change, including the rise of western influence and the transformation of Iran into a modern nation state
